She had a regular stint on the television police procedural series, 87th Precinct playing cop Robert Lansing’s deaf wife.
Shows like Robert Montgomery Presents, Ponds Theater Armstrong Circle Theatre Studio One The United States Steel Hour Goodyear Playhouse General Electric Theater, and of course Alfred Hitchcock Presents and The Alfred Hitchcock Hour. She began showing the attractive pull of her strength in dramatic teleplays for early television programming. The alchemy of Gena Rowland’s acting style is how she integrates her craft with an indescribable beauty and presence that is reminiscent of Hollywood’s Golden Age.īefore the emotionally distilled and complex actress emerged as an icon, Gena Rowlands set out with her husband John Cassavetes to create a new naturalistic landscape of independent American movies in the 1970s, that inspired generations of filmmakers. And like the bomb under the table, he clearly preferred that guns not go off either, judging by his sobering epilogue to “Bang,” in which he drops his “usual flippancy” to address parents directly about the importance of keeping guns from children.See PART 1 & 2 & 3 Here 💥SPOILERS *The Lonely Hours -Gena Rowlands & Nancy Kelly- s1e23 – aired May 8, 1963 He preferred weapons demanding proximity-knives, neckties, a good old-fashioned push-over firepower. Looking back over a career chronicling villainy, guns play a surprisingly secondary role in Hitchcock’s work. The key, Hitchcock felt, was that the bomb must never go off. The sequence violated his own “ bomb under the table” aphorism, which went like so: The audience should know from the start that there’s a bomb beneath the table, thus ratcheting up the tension with each passing moment as the unsuspecting victims at the table blather on, obliviously. Hitchcock agreed and expressed his regrets. “Bang!” is ostensibly Hitchcock’s corrective to the infamous bus bombing scene in his 1936 film Sabotage, a sequence so explosive Francois Truffaut dubbed it “an abuse of cinematic power” during his extensive interviews with Hitchcock at Universal Studios in 1962. Friends and neighbors all bashfully obey, teasing out the boy’s joke-and the audience’s horror. For a pulse-pounding afternoon, the boy waltzes around town, slipping through each townsperson’s grip as he plays cowboy.
A young boy replaces the toy gun in his holster with the real revolver he finds in his uncle’s suitcase, which he partially loads with live rounds.
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The episode “Bang! You’re Dead,” which originally aired in 1961 and can be viewed in full online, tracks an afternoon of agonizing roulette.
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With incessant surveillance, melting planets, and robot warfare consuming headlines, there’s no shortage of potential comparisons.īut following the recent wave of accidental shootings at the hands of children-culminating in the heart-wrenching story of a sibling fatality in south-central Kentucky from a gun marketed for children as “My First Rifle”-there’s another classic TV show that applies to a chilling degree: Alfred Hitchcock Presents. Each news cycle is replete with Twilight Zonecomparisons.
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